is it just me, or are the "english" titles of these books way, way off the mark....
Posted by Ghess
i Madison, Wisconsin
, 2 February 2009
Try the German ones:
Verblendung ~ blindness or facing
Verdamnis ~ Damnation
Vergebung ~ forgiveness or remission
Posted by
, 3 februari 2009
I totally agree, the English book titles are ridicule!
Posted by Maike
in London
, 9 februari 2009
for the portuguese version, they are translation from french, and we got the original titles (I think...). The correct english translation for the first one would be "Those men that do not loved women", right?
Posted by barda
in são paulo
, 12 februari 2009
I have to say that I was a bit disappointed that the books have been given such unoriginal titles in English. Starting every title with "The girl ..." seems quite bland compared to the diversity of the original Swedish titles. The German titles look even more boring.
1) Män som hatar kvinnor
A literal translation to English would be "Men who hate women". Not that they dislike women, not that they don't love women. It's hate. (Actually I think that the title sets the tone for the whole series quite well. It's a lot about men who hate women...)
2) Flickan som lekte med elden
Yep, that title is actually translated correctly into English. The girl who played with fire. I guess that's what gave them the idea for the English titles.
3) Luftslottet som sprängdes
This is where it gets complicated. A literal translation would be "The aircastle that was blown up". The Swedish title is based on the expression "luftslott" which literally means "aircastle". It doesn't refer to a castle in the air (or in the sky) but rather to a castle built out of air (or built on air). The meaning is that the castle is a big and complex structure based on nothing, so a "luftslott" is just a big bunch of complicated nothingness. And it gets blown up, so the title does reflect the content of the book very well. The expression is quite well known and it has a definite negative ring to it.
I don't know if there is a suitable expression in English or German that has more or less the same connotation as "luftslott". Any ideas?
Posted by Micael (an exiled Swede)
in the Swedish speaking part of Finland
, 16 februari 2009
At least, Micael, we have a suitable expression in Portuguese: 'castelo de cartas' which means cards castle.
Posted by
in são paulo
, 10 mars 2009
Yes: "Luftschloss" ist the German expression for "luftslott" and it's got the same meaning. The Spanish title for the 2nd novel is "la chica que soñaba con una cerilla y un bidón de gasolina", meaning "The girl who dreamt of a matchstick and a barrell of gasoline". I don't know why they chose such a complicated title when they could just have translated it literally to "la chica que jugaba con fuego".
Posted by Vera
in Lanzarote, Canaries
, 17 mars 2009
Italian titles are:
1) Uomini che odiano le donne (literally the same of the original one)
2) La ragazza che giocava col fuoco (idem)
3) La regina dei castelli di carta (literally, it's "The Queen of paper castles". "Castelli di carta" means to us aircastle, with the same meaning of "luftslott" and "Luftschloss", so it's "the queen of aircastles". It doesn't make much sense: aircastles gives the idea of something fake and fragile, but what is the "queen" for? Lisbeth is what all aircastles are based on...)
Posted by Maria
in Pz, Italy
, 9 april 2009
Micael,
Interestingly, I came up with the same idea that the guy from Portugal did...it seems both English and Portuguese use the same idiom, which is "house of cards." To express what you have described for Luftslottet som sprängdes I would render the English as: The house of cards exploded.
Posted by Danthrax
in Oxnard, CA, USA
, 15 april 2009
In Spanish we have both: castillos en el aire (luftslottet) and castillo de naipes (cards), both mean something unsubstantial, one gives the idea of lacking of grounding, the other of gowing down easilly, anyway,I think castillos en el aire is more suitable, just an opinion. And srpängdes, it does mean explosive" or "solid"?. A swedish dictionary gave me "solid", which looks apropiate as an oximoron. I agree, Spanish translation is awfull, worst than the english one.
Saludos y gracias
Posted by Miguel
in Buenos Aires, argentina
, 22 maj 2009
its anything but creative, but its the german translation that must be crowned the worst.
Posted by anoud al muhairi
in dubai, uae
, 21 juli 2009
I read them in French. Here are the French titles :
1 - Les hommes qui n'aimaient pas les femmes ("Men who didn't like women"
2 - La fille qui rêvait d'un bidon d'essence et d'une allumette ("The girl who dreamt about an oil tin and a match", clearly refering to --SPOILERS-- Lisbeth when she tries to kill Zalachenko with oil and a match...) This one's different from the original tittle, but it is OK to me.
3 - La reine dans le palais des courants d'air ("The queen in the palace of drafts"). This seems quite weird, doesn't it ? I don't think it has anything to do with the original title...
Funny to see how each translation totally changes thoses titles. Is it so hard to keep close to the Swedish version ??
Posted by Lili from France
in Paris
, 30 juli 2009
In the netherlands the first 2 titles are correctly translated
- Mannen die vrouwen haten
- De vrouw die met speelde
the third is different. it's called 'gerechtigheid' which is the same as 'justice'
Posted by ToosI
in Utrecht, Netherlands
, 23 augusti 2009
I think it's a pity that the title for the 3rd book is so different from the original one, when book 1 and 2 follow the Swedish title. They could have used something with "Aircastle" in it, like maybe "Het luchtkasteel dat in rook opging" (The aircastle that went up in smoke) instead of "Gerechtheid". The one more like a normal title, while the ones for book 1 and 2 are quite unusual.
Also "Gerechtigheid" (Justice) was already used for 2 other thrillers, one by Ian Rankin and one by Faye Kellerman, so it's not a unique title.
Posted by Momo
in Leiden
, 12 september 2009
Wow, those are some really bad translations! I'm so glad that the Danish titles almost identical with the Swedish :D
Posted by
, 17 september 2009
I am really suprised that in Slovak we have all 3 titles translated punctually identical with the Swedish. I think English title of 1st book is borring and 3rd only continues in line... of mystake!
Posted by Doky
in Zilina, Slovakia
, 13 januari 2010
While I don't like the use of the "The Girl . . ." construct for all 3 titles in English; I think the title of the first book in Swedish is misguided. I am not sure Larsson knew his main character at that point. He buried the lead! A huge error for a journalist.
The second book's title is OK because it actually refers to Lisbeth's actions as a girl. In the first she is not a girl and I expect the same is true of the third. Maybe an English title truer to the Swedish meaning would be 'Blow the house down' - a reference to the straw and stick houses in childhood nursery rhymes.
Posted by MM
in Michigan
, 11 April 2010
I like the use of 'the girl' in the titles. 'The Girl With The Dragon Tatoo' tells me something interesting about Lisbeth. 'The Girl Who Played With Fire' is a reference to one of Lisbeth's 'solutions'. 'The Girl Who Kicked The Hornets Nest' refers to her efforts to upset the sattus que and bring the guilty to justice. I fine the titles relevant.
Posted by Rob Heidel
in Simi Valley, CA. USA
, 11 April 2010
I think the title 'Men Who Hate Women', while it is inflammatory and speaks to a certain minority, is not consistant with the story. Neither Michale, Henrik, Dragan or Palmgren hate women. Certainly Bublanski does not either. Does anyone know if MWHW is the title Steig actually chose for the first book?
Posted by Rob Heidel
in Simi Valley, CA. USA
, 11 April 2010
Yes Rob, it was the title he chose. And he had to fight for it against the publisher. He insisted.
Posted by John
in Sweden
, 12 April 2010
Hey John,
Thanks for the reply. I'll rethink my opinion.
What was Steig's rational for the title?
Posted by Rob Heidel
in Simi Valley
, 12 April 2010
most americans would never pick up a book called 'men who hate women' because
A. sounds like a self help book
B. most women dont like to be hated -my mom would never let me have seen the movie with her let alone start reading the books if it was titled that-
C. alot of americans are annoyed with hearing about this type of stuff
D. would of caused a huge mess with feminist
E. there was actually another self help book called that coming out at the time -moms an pychologist, sorry i know i didnt spell that right-
F. it says nothing about what the rest of the series is about let alone the main characters, and gives away a huge piece of the plot. really if i knew that was the title before i got into this series i would of guessed right away who the killer was -spoiler back when i thought there was a killer-
so the girl with the dragon tattoo is a much better title for the first book when u really think about it. also the girl who played with fire is a much less compliacted verison of the orignal. and girl who kicked the hornets nest means poticly lisbeth
stired up alot of trouble, but i havent read the 3 book yet -not out in the us plus i just got into this series yesterday and am on the second book-
Posted by juicy couture girl
, 22 April 2010
Reason for the title of the 1st book? Gottfried & Martin, pherhaps. And a bit of Bjurman, to round it up. Finally, take in mind that Larsson was a leftist, communist, anty-nazist, anty-racist, and... women rights activist. He was also a founder of "Expo" magazine, which was aimed to promote "PC" behaviors in the Sweedish society. So his first book was a kind of his manifesto.
Posted by Rukasu
in Warsaw
, 19 July 2010
2 Rukasu: not only Gottfried, Martin, Bjurman, but also Wernstrom.
there are Russian titles translation:
1.The Girl With the Dragon Tattoo
2.The Girl Who Played With Fire
3.The Girl Who Was Blowing Up Aircastles
Posted by salanderwasp
in Russia
, 26 July 2010
in English it should have been...
1. Forgotten
2. The Girl who played with fire
3. I will let you know when ive finished
the last book.
Posted by zala
in Goteborg
, 14 August 2010
I read the book in English so I do not know how accurate it is when it comes to Polish translation of the content.
Titles however are prety same as original with small difference.
1- Men Who Hates Women
2- Girl Who Played with Fire
3- Sand Castle which collapsed - i think its quite good translation as Sand Castle is somewhat Polish equivalent to Aircastle
Posted by Cyfra
in Krakow
, 13 November 2010
I didn't read the books. I had only seen the movies. In first movie Mikael describes Lisbeth: "She hates man that hates woman". She fights against them, and that what first film was about in my opinion. So I think the title is pretty accurate.
Posted by Elena
in Skelleftehamn
, 7 December 2010
In Croatian, it's:
- Mu?karci koji mrze ?ene (literally translated from Swedish)
- Djevojka koja se igrala vatrom (also literally translated)
- Kula u zraku (Castle in the air)
Pretty much the same as the original titles!
Posted by SalanderFTW
in Somewhere, Croatia
, 14 January 2011
I actually liked the titles of the English books. That being sad...after hearing what they were translated from I wondered why these titles were chosen.
I think the reason The GIRL who played with fire was chosen by Larsson for the 2nd book had more to do with when she was very young and set her father on fire, at that point just a girl. So, it doesn't make sense to refer to her as "the girl" in the rest of the books.
Posted by Michaela
in USA
, 19 April 2011
I think the English book titles are ok for an English-speaking audience, particularly an American audience. It's a tad corny to have The Girl Who did this or had that but it clearly defines the three books as part of a single story (and, for an audience that needed 'The Madness of George III' renamed to 'The Madness of King George' so they didn't avoid it on the basis that they hadn't seen parts I and II, that kind of simplification is important).
'The Girl With The Dragon Tattoo' is a weak title because it conjures up an image of a mysterious, unknown character whose only discernible feature is the dragon tattoo. In fact, Salander is introduced by name quite early and her tattoos are all described at that point.
The phrase 'Män som hatar kvinnor' might have specific overtones in Swedish that don't translate into English. 'Men who hate women' doesn't fully convey the horror and abuse that the book rails against. I don't know quite how 'Les hommes qui n'aimaient pas les femmes' reads in French but the English translation of that sounds like it's a book about gay blokes.
I think Larsson intended 'Män som hatar kvinnor' to be a strapline for all the Blomqvist/Salander novels and IMHO it works better that way than as the title of the first novel only, for an English-speaking audience.
The third novel is more difficult in English - we don't have the expression 'castle in the air'. The nearest equivalent I can imagine would be 'house of cards' but I doubt that conveys the meaning of 'castle in the air', which I understand is more about being an illusion than a shaky foundation. They could have used the Jimi Hendrix song title 'Castle Made of Sand', I suppose, following on from Cyfra in Krakow's description, but again that sounds more like dodgy foundations than an illusion begat of a conspiracy.
Posted by genji
in Lisbethtown
, 20 April 2011
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Stieg Larsson
Stieg Larsson (1954-2004) was a Swedish writer and journalist.
Prior to his sudden death of a heart attack in November 2004 he finished three detective novels in his trilogy "The Millenium-series" which were published posthumously; "The Girl With The Dragon Tattoo", "The Girl Who Played With Fire" and "The Girl Who Kicked the Hornets' Nest". Altogether, his trilogy has sold more than 20 million copies in 41 countries (spring of 2010), and he was the second bestselling author in the world 2008.

STIEG LARSSON, 1954-2004
Before his career as a writer, Stieg Larsson was mostly known for his struggle against racism and right-wing extremism. Starting in the late 1970's, he combined his work as a graphic designer with holding lectures on right-wing extremism for the Scotland Yard. During the following years he became an expert on the subject and has held many lectures as well as written many novels on the subject. In 1995, when 8 persons were killed by neo-Nazis I Sweden, he was the main force behind the founding of the Expo-foundation, a group intended on exposing neo-Nazi activity in Sweden. From 1999 and on, he was appointed chief editor of the magazine Expo.
During the last 15 years of his life, he and his life companion Eva Gabrielsson lived under constant threat from right-wing violence.
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Stieg left no written will, and according to Swedish law, Stieg's full estate was inherited by his father and brother. This sparked a dispute between them and Stieg's life companion Eva Gabrielsson, who was left with nothing. The situation is complicated by the fact that Eva controls the script for the 4th book in the Millennium series.
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In the book "Stieg and Moi" that Eva Gabrielsson (Stieg Larsson's life companion) is currently writing together with Marie Francois Colombani, Eva says that she could finish the fourth manuscript that Stieg and her had already started working on. She also reveals the swedish title of the fourth manuscript, "Guds hämd" ( english translation: God's revenge)
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Ronney Mara has been highly praised for her role as Lisbeth Salander in David Finchers version of "The girl with the dragon tattoo". Mara has only in a few years made if from tv shows like "ER" to becom on of Hollywoods most wanted actresses.
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Columbia Pictures has bought the rights to make a Hollywood version of the Millenium films. Daniel Craig and Rooney Mara has been apointed to play Michael Blomkvist and Lisbeth Salander. Signed on to the project is also the writer Steve Zaillian (Se7en) and director David Fincher (Fight Club, Se7ven).
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There are many ways to become writer, and even though, Stiegs path is quite unusual.
He started working at a post office, moving on to a graphic designer job at a news bureau, starting the Expo foundation and working as chief editor. And somewhere in the middle of all this, a great writer steps forward.
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In the original movies based on the Millennium trilogy, Lisbeth Salander is played by Swedish actress Noomi Rapace. Noomi is a well acknowledged actress with fifteen years of experience as an actress.
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In this interview by the Swedish national televsision, Stieg Larsson's life companion Eva Gabrielsson reveals the truth behind the man that was Stieg Larsson. She discusses her claims in the controversy surrounding Stieg's legacy as well as her claims for a part of the royalty.
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During the last 15 years of his life, he and his life companion Eva Gabrielsson lived under constant threat from right-wing violence. He regarded his writing of detective novels as relaxing. Keeping track of loose ends, characters and made up conspiracies posedno problem since it was, after all, fiction.
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Stieg Larsson had always been interested in detective novels, and he was very familiar the works of Elizabeth George and Minette Walters. He knew what ingredients a good detective story should have, and he even reluctantly decided to spice it up with a bit of sex as it would probably please his readers.
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Stieglarsson.com features a huge forum filled with ongoing discussions on our beloved writer.
Is your prime interest the movies being made? Or are you a huge fan of Lisbeth Salander?
Take a look and join the discussion!
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